Search Results: pain is beauty - 29 found
Chelsea Wolfe releases “The Waves Have Come” and begins European Tour July 25th
Earlier this year, Chelsea Wolfe shared an intense video for her Pain Is Beauty track "Feral Love", which was an excerpt from a 52-minute film called Lone. Wolfe co-wrote the film with director Mark Pellington, who did Pearl Jam’s iconic “Jeremy” video and clips for Michael Jackson, Nine Inch Nails, U2, and others, plus the films Arlington Road, The Mothman Prophecies, and more.
In a statement, Wolfe said of the video:
“Most of this video is footage from the first time Mark and I shot together—he had built this dark room full of green ivy and it was just me, the dress from the album cover, a few lights, and him. It was the first time I realized what a director really is. Suddenly he was shouting, guiding me with instructions, emotions, telling me to act as if everything I was singing about—disaster and the loss of life and love—that it was all inside of me and at the same time to act as an observer of these things. He cut it together with found footage of families, intense nature and destruction and created this cathartic journey through it all.”
Chelsea Wolfe on Tour 2014:
07-25 Barcelos, Portugal - Milhões de Festa
07-29 Toulouse, France - Le Métronum
07-30 Milano, Italy - Magnolia
07-31 Munich, Germany - Feierwerk
08-02 Katowice, Poland - OFF Festival
08-03 Dresden, Germany - Beatpol *
08-04 Vienna, Austria - Arena Wien *
08-05 Sibenik, Croatia - SuperUho Festival
08-07 Budapest, Hungary - A38
08-09 Copenhagen, Denmark - Wasn’t Born to Follow Festival
08-10 Hannover, Germany - Cafe Glocksee
08-12 Amsterdam, Netherlands - MelkWeg
08-13 Brussels, Belgium - Le Brass
08-14 Luxembourg, Luxembourg - Congés Annulés
08-15 London, England - ATP Presents - Excel Centre (Jabberwocky)
08-16 Manchester, England - ATP Presents - Gorilla *
11-08 Austin, TX - Fun Fun Fun Fest
* with Deafheaven
Last month, LA-based folk metal chanteuse, Chelsea Wolfe, made her film debut with the release of Lone, an hour-long short film that bridges the divide between music video and short film. The surrealist/expressionist flick was directed by Mark Pellington, best known for directing Pearl Jam’s music video for “Jeremy” as well as videos for Nine Inch Nails, Foo Fighters, INXS, and Michael Jackson, and a handful of feature length films. Utilizing tracks from Wolfe’s 2013 record, Pain Is Beauty, the film visually explores the themes introduced on this album, which according to Pellington are “nature, sexuality, memory, mortality, forgiveness, love, innocence, fragility, violence, and beauty.”
Currently the film is not available to stream online, but curious fans can buy a USB key either online or at the Chelsea Wolfe merch booth. Currently on tour with Eels, Wolfe will be in Seattle this Saturday night playing an acoustic set at the Moore. I caught up with Wolfe on Monday night to learn more about Lone and her recent experiences on this spring tour.
Interview Magazine Interview: Chelsea Wolfe
September 2013 marked the release of Sacramento native Chelsea Wolfe's fourth studio album, Pain Is Beauty. The album, widely considered her best to date, lives up to its name: Gorgeously introspective and alluringly moody, the gothic rocker’s heady distortions and droning production emote as effectively as her astute lyricism. Wolfe has compared the album’s narrative to that of a forest fire. Despite the destruction of trying times, such tribulations ultimately allow for personal growth.
Such emotionally complex work allows for a slew of interpretations, which is where Wolfe has shone brightest in 2014. Lone, an experimental short film by filmmaker Mark Pellington, acts as a surreal adaptation of Pain Is Beauty and was just released in full last month. The singer is also mid-tour with Eels; she’s playing an exclusively acoustic set. The tour comes through New York this Sunday at the historic Apollo Theater. Wolfe had a lot to say about translating her work to such diverse mediums, working with Pellington, and prepping for summer excursions through Europe.
Terrorizer Film Review: Chelsea Wolfe’s “Lone” directed by Mark Pellington
Following on from her incredible 2013 opus ‘Pain Is Beauty’, the inimitable Chelsea Wolfe has teamed up with director Mark Pellington to release an accompanying feature-length film entitled ‘Lone’ – but is it as good as the album? We sent Joy Shannon to find out…
The prolific and genre-defying songstress Chelsea Wolfe has crafted a mesmerizing long-format film called ‘Lone’ with renowned director Mark Pellington, best known for his striking music video for Pearl Jam’s ‘Jeremy’ and his work with artists including U2, Nine Inch Nails and the Foo Fighters. Inspired by the themes of Wolfe’s haunting 2013 album ‘Pain Is Beauty’, the nearly 60-minute film speaks to the sweeping themes of “nature, sexuality, memory, mortality, forgiveness, love, innocence, fragility, violence and beauty”, according to director Pellington. For ‘Lone’, songs from ‘Pain Is Beauty’ are set within a sweeping, extended soundtrack by Wolfe and collaborator Ben Chisholm.
Both surrealistic and expressionistic, Lone crafts a barren landscape and eerie cast of characters which seem to coexist in the tangled halls of someone’s haunted memories. Wolfe’s music weaves throughout, at times desolate and tense and, at other times, erupting into ferociously layering builds of apocalyptic imagery. Like Edvard Munch’s painting ‘The Scream’, this is an emotional landscape where the turmoil of the human figures, the chimera, and the very land itself are intricately entwined, and even when Wolfe’s music finds a temporary calm, the land itself seems to be silently screaming. In essence, this is a surrealistic, psychological horror film, which confronts a barrage of difficult issues in the most visually beautiful way imaginable.
Hannibal - The Second Course Is Served featuring “Feral Love”
Los Angeles Magazine Feature: “Lone” Chelsea Wolfe’s Surreal Journey from Music to Movies
Chelsea Wolfe, L.A.’s gothic queen supreme, burst onto the underground music scene with her debut album The Grime and The Glow, in 2010. A year later, she followed that with the critically acclaimed Apokalypsis. Both albums are powerful testaments to Wolfe’s abilities as a songwriter, switching seamlessly between intimate and acoustic folk to grandiose guitar riffs and pounding drums without lapsing into overdetermined eclecticism. Behind all of it Wolfe’s powerful voice jumps out at the listener like a predator in the dark. Since releasing her fourth album, Pain is Beauty, last year, the California native has burst out of the underground and onto playlists everywhere.
Wolfe recently teamed with Mark Pellington, who directed music videos “Jeremy” for Pearl Jam and “Rooster” for Alice In Chains as well as the movie The Mothman Prophecies, to produce an hour-long film, Lone (of which the video for ”Feral Love” is an excerpt). The dialogue in the film is based on the lyrical universe of Pain is Beauty.
We spoke with the singer about making Lone, horse statues, and directing your anger at the sun.
LONE Trailer II
Chelsea Wolfe Film “Lone” now available for Pre-Order - Watch the first Trailer
Above is the first trailer for the long format film entitled “Lone” starring Chelsea Wolfe and directed by Mark Pellington. Featuring music from Chelsea Wolfe’s Album Pain Is Beauty. You can also watch “Feral Love” below which is also an excerpt from the film.
Feral Love Premiere, an excerpt from the long from film LONE directed by Mark Pellington
Chelsea Wolfe has shared the intense, unsettling video for her Pain Is Beauty track “Feral Love”. It’s an excerpt from the film Lone, which was co-written by Wolfe and directed by Mark Pellington, the director of Pearl Jam’s iconic “Jeremy” video and clips for Michael Jackson, Nine Inch Nails, U2, and others, plus the films Arlington Road, The Mothman Prophecies, and more. It’s due out later this year, both as a stream and on custom-designed USB drives. The hour-long film’s dialogue consists solely of lyrics from Pain Is Beauty.
Here’s a quote from Pellington:
“Chelsea Wolfe’s voice and lyrics narrate this voyeuristic look into the abstract, cathartic subconscious. Lone is a sight and sound exploration into the themes of nature, sexuality, memory, mortality, forgiveness, love, innocence, fragility, violence and beauty.”
Lone Pre-order will be going up this week here.
Chelsea Wolfe’s “Feral Love” featured in the Game of Thrones Season 4 Trailers
With her new album Pain is Beauty, Chelsea Wolfe self-imposed the weighty task of rewriting the ending to the George Orwell’s classic 1984. Though many would beg to differ, Wolfe believed the book could stand to end on a more positive note.
“I reread 1984 and I was unhappy with it,” Wolfe told Radio.com. “I wrote a more idealistic ending to the book because I have a more idealistic outlook on life.”
Due to her darker sound, which can best be described as beautiful black metal, Wolfe has been pegged as a rather gloomy singer. But she says people, mainly critics, have gotten her all wrong. ”There’s two sides to me: I’m very much reality based and also really idealistic,” she explained. “I like to think that there’s a fight out there and we have to fight for the one that we love.”
La Blogotheque Take Away Show: Chelsea Wolfe
Watch Chelsea Wolfe performing acoustic versions of two of her new songs, ‘Lone’ and ‘House of Metal’ from the album Pain Is Beauty for La Blogotheque’s Take Away Shows in Paris.
Chelsea Wolfe will be performing on November 19th in Los Angeles at UCLA’s Royce Hall with special guest Anna Calvi. Get Info/Tix here
CVLT Nation Interview with Chelsea Wolfe
What was the recording process like for Pain is Beauty and how did the experience differentiate itself from prior recordings? Also, the album incorporates a stronger electronic element, bearing a different sound from what fans have come to expect. What powers and influences brought about this change?
CHELSEA WOLFE: I met my bandmate Ben Chisholm about four years ago, right around the time when I desired to bring some sort of electronic element into the band. He’s into analog synths and electronic beats and he’s really brilliant and multi-talented. Needless to say, he was a perfect fit. I found that we wrote songs together easily and we started messing around with some electronic songs that I originally thought we’d use for a side project…but I realized over time that I really didn’t want to put limits on this project, so we eventually started playing some of those songs live and I had a lot of fun with their energy. I knew they’d be the base for this new album.
Photo by Kristin Cofer
With each new album cover, you have obscured your features less and less. With Pain is Beauty you are front and center, wreathed in spotlight. How does this visual motif factor in with the album’s sound?
I have to say, I find it very fitting that it’s been sunny in Chicago all week and as soon as I stepped outside to call you, a thunderstorm broke and the sky went grey.
Oh really? That’s cool, that happened in New York as well. As soon as we sat down for this rooftop interview the thunder started and the clouds came in. I don’t mind it; I love it. I’m pretty sick of the sun.
Is Chelsea Wolfe your real name?
Yeah, it’s my name. It started out as a solo project and when I formed it into a band, for awhile I thought about changing the name but I still do solo stuff sometimes and I wanted to be flexible so I left it as my name.
It seems so ironic, there’s a clear dichotomy that reflects the music with ‘Chelsea’ being so feminine and ‘Wolfe’ being so dark and ferocious.
Yeah that’s true, I never really thought about it that way actually. That’s a good way to put it.